a moment... then
pursues the MAN ON CRUTCHES.
JOE (CONT.)
Excuse me..? Sir? Yo!
CUT TO:
ANDREW EKERGES FROM CITY HALL, ONTO DILWORTH PLAZA BUSTLING with
PEDESTRIANS (EXT./DAY) ...
... DARTS into the street, hailing a cab.
CUT TO:
THE CAB PULLS UP TO A BROWNSTONE ON A RESIDENTIAL STREET,
Andrew hopping out, stuffing papers into his briefcase
(EXT./DAY) ...
RUSHING to the door marked "Dr. Rob
looking girl in her late twenties circulates quietly among the tables picking up books and putting them on her cart. Everything seems completely normal and peaceful.
POV
A single eerie musical note signals the presence of something strange looking down on the Librarian from a vantage point high above the room. It follows the Librarian as she pushes her cart around the corner.
INT. WORK AREA
public facilities such as parks
within Walking Distance
3) configuring pedestrian-friendly street network
4) mixed arranging housing of type, density, cost
5) providing Quality of the natural environment and open space
6) making Public space center of building arrangement and neighborhood living
7) Promoting redevelopment along transportation routes within Living neighborhoods
시장의 개념
상거래공간 + 커뮤니티 공간
재래시장이란?
다수의 수요자와 공급자가 상시 또는 정기적으로 집합하여 물품을 매매 하는 일정 규모 이상의 건물 매장 또는 장터로서, 주로 근대적 유통시설이 본격적으로 개발되기 이전, 대략 1980년 이전에 개설된 시설이 노후화되어 재개발 또는 근대화
We are moving through a small airfield full of parked light planes. There are no people around. We move through the cluster of planes towards a hangar on the edge of the field.
INT. HANGAR - DAY
We are still moving through light planes, but now we are inside the hangar. Some of the planes have their engine covers open, parts strewn around. Others are partially covered with tarps or have sections
KING KONG
Screenplay by
FRAN WALSH & PETER JACKSON
From an idea conceived by
EDGAR WALLACE & MERIAN C. COOPER
1st Draft
1996
EXT. SKIES OVER FRANCE 1917 - DAY
CAMERA drifts towards a large puffy cloud floating 6000ft above the
French countryside ...
... a roar of engines - sounding like angry buzzing bees - and three ...
six ... NINE SOPWITH CAMEL FIGHTER PLANES emerge from the cloud, flying
in t
THE AMERICAN PRESIDENT
Screenplay
by
Aaron Sorkin
FADE IN:
As the OPENING TTTLES ROLL against a series of shots of
statues and paintings of former presidents, we HEAR shards of
dialogue from various presidential speeches.
MAIN TITLES END ON
EXT. BEAUTIFUL ESTABLISHING SHOT OF THE WHITE HOUSE - DAY
Its an early November morning, and the sun has just come
over this extraordinary building. WE HOLD
Blackness. Then a hint of green becomes EARTH. It lies across an expanse of space. Richly colored. Fertile.
A GIGANTIC ASTEROID cuts into frame, Burning into EARTHS ATMOSPHERE and striking down in the currant area of Guzumel, Mexico.
Voice : An impact equivalent to ten thousand nuclear weapons detonating simultaneously.
A HUGE DINOSAUR FOOT steps down hard and is VAPORIZED with a deafening ROAR.
PAN DOWN TO A ROW OF 몷TELLERS몶 CAGES몸 with long lines of PEOPLE waiting to collect their unemployment checks. A sign above the first window says 몷A - F몸, the second window is designated 몷G - L몸 and so on.
CLOSE ON THE SECOND WINDOW -- Waiting his turn at the head of the line is a BLACK MAN in his early 30몶s. He kills time by trying to make a beat-up old wooden yo-yo perform the ba
DR. BURTON, the Chief Psychiatrist moves down the old hallway, face tense. He steps through a doorway into...
INT. MAXIMUM SECURITY - NIGHT
Security cells. Criminal maniacs sealed behind protective casings.
A GUARD stands before a heavy door.
GUARD
Hell of a night, huh Doc?
BURTON
Hells in here.
Hydraulics HISS. The cell door unseals.
INT. SECURE ISOLATION CELL